There is a big difference between the drawing methods of direct painting and the classical painting program the tingology. Direct painting has to start at the point that can instantly reflect the black. Direct painting requires the following steps to be completed:
Draft: Use charcoal to outline your object and deal with it properly. This procedure is completed by some artists using cooked brown mixed in with a bit of cool color. Others use ultramarine and turpentine, diluted. Brown is a color intermediate, which makes it easy to combine with other colours. The color ultramarine can be used by some artists to create a unique color effect.
Two, increase the tone. An approximation to the fuel dilution and the object colour is a quick relaxation. Note that the tone must be a bit stronger than final contrast. The color should be applied lightly in this step. To make the tone brighter, paint it a shade or two ahead of what you want. Using the same grey shades, it is easy to achieve the perfect “fire” colour relationship.
To achieve a more detailed portrayal, add thick pigments on the screen after using the turpentine. If possible, prolong the process as long as possible. This process must be well-planned and carried out in a step-by step manner. In other words, if you draw the face today, don’t move the color anywhere else. If the hand is done tomorrow, keep all other colors the same except the background. The painting knife is used to scrape away thick colors from places that have not been completed in one day. You can keep painting until they’re almost completely dry to prevent oil absorption. When painting with oil, pay particular attention to the thicker light colors. However, the darks should generally be painted thin.
Oil paintings can have rich details even after many completions. Some details may have exceeded the required requirements. By removing unnecessary details you can adjust the relationship between the main part and the entire screen to better reflect the real situation.